Bio

Hailed as “one of the loveliest voices in the Northwest” (Oregon ArtsWatch), contralto Laura Beckel Thoreson enjoys a widely varied singing career in the USA and abroad, spanning opera, oratorio, recital, and ensemble performances. 

Beckel Thoreson has appeared as a solo guest artist with many notable groups, such as:

Portland Opera

Indianapolis Opera

Oregon Symphony

Cappella Romana

Indianapolis Symphony Orchestra

Cincinnati Symphony Orchestra

Eugene Opera

Augusta Opera

Portland Baroque Orchestra

Oregon Sinfonietta

Naples Philharmonic

Lafayette Symphony Orchestra

Utah Festival Opera

Early Music Vancouver

Portland Youth Philharmonic

Newport Symphony Orchestra

Orchestra Seattle

San Juan Symphony

plus so many more.

She has performed internationally in Canada, England, Scotland, Belgium, and the Netherlands, as well as at the Kennedy Center in Washington, D.C.

Beckel Thoreson has performed as a soloist in many concert works, including:

Bach's B Minor Mass

Indianapolis Opera

Judas Maccabeus and Messiah

Mozart's Coronation Mass

Solemn Vespers

Prokofiev's The Ugly Duckling

Magnificat

Vivaldi's Gloria

Haydn's Lord Nelson Mass

Oregon Sinfonietta

Part’s Missa Syllabica and Passio

Respighi's Laud to the Nativity

St. John Passion

Händel's ​Dixit Dominus

Mendelssohn's Elijah

Requiem

Purcell's Thy Word is a Lantern

Schubert's Mass in A Flat

and many, many more.

Opera roles include:

Tisbe (Rossini's La Cenerentola)

Zulma (Rossini's L'Italiana in Algeri)

La Zia Principessa (Puccini's Suor Angelica)

Suzy (Puccini's La Rondine)

The Mother (Menotti's Amahl and the Night Visitors)

Nefertiti (Philip Glass' Akhnaten)

Jo March (Adamo's Little Women)

Dido (Purcell's Dido and Aeneas)

Ursule (Berlioz' Beatrice et Bénédict)

the Old Lady (Bernstein's Candide)

Orfeo (Gluck's Orfeo ed Euridice)

and many, many more.

Opera scenes - prepared under the tutelage of world-renowned soprano Carol Vaness - include:

Dame Quickly (Verdi's Falstaff)

Nerone (Monteverdi's L'incoronazione di Poppea)

Adalgisa (Bellini's Norma)

Rosina (Rossini's Il barbiere di Siviglia)

Hansel (Humperdinck's Hansel und Gretel)

Suzuki (Puccini's Madama Butterfly)

 Born and raised in the Pacific Northwest, Beckel Thoreson enjoys performing recitals in a wide variety of musical genres, including classical art song, early and new music, musical theater, and jazz. In 2017, Beckel Thoreson, along with soprano Arwen Myers and pianist Susan McDaniel, launched Northwest Art Song, an organization celebrating and promoting the art of the song recital in the Pacific Northwest. Along with her fellow NWAS members, Beckel Thoreson has appeared on All-Classical 89.9's Thursdays at Three radio program multiple times, and at Portland's Friends of Chamber Music and Friends of Music events.

A great advocate for new music, Beckel Thoreson recently performed the world premiere of Pacific Northwest composer Stacey Phillips' new song cycle Pluviosity, along with Delgani string quartet. In 2017, she premiered Teresa Koon's song cycle, Songs of God and Laughter, for mezzo-soprano, trumpet, and four-hand piano. In 2016, she recorded two new works with Fifth House Ensemble by Grammy-nominated jazz pianist and composer J.J. Wright at the University of Notre Dame. She has also recorded Don Freund's Medicine Wheel, a duet cycle for soprano and mezzo-soprano written for Beckel Thoreson, soprano Arwen Myers, and Native American flautist and former principal flautist of the Philadelphia Orchestra James Pellerite.  Thoreson has enjoyed appearing as a soloist with the IU New Music Ensemble (Eric Lindsay's award-winning Piano) and Contemporary Vocal Ensemble (Arvo Pärt's Missa Syllabica), in addition to other contemporary music groups.

A great choral music enthusiast, Beckel Thoreson has been a member of several professional choral ensembles, including The Kammerbach Ensemble, Aguava New Music Studio, Apollo's Voice, Vox Reflexa, Prometheus, and Portland-based Cappella Romana, Resonance Ensemble, Trinity Chamber Singers, and The Ensemble of Oregon. She has had the pleasure of performing with several high-level choirs throughout her career, including Cappella Romana, The Ensemble of Oregon, Apollo’s Fire, Indiana University's Contemporary Vocal Ensemble and University Singers and early music ensemble Pro Arte Singers. Thoreson has sung with the cathedral choir at St. Mary's Cathedral of the Immaculate Conception and Trinity Episcopal Cathedral in Portland, OR, and with Collegium Musicum at St. James Proto-Cathedral in Vancouver, WA, and Northminster Presbyterian Church in Indianapolis, IN.

In addition, Beckel Thoreson has worked as a recording artist with AireBorn Studios in Indianapolis, recording demos for Boosey and Hawkes, Hal Leonard, and other major music publishers, and with Dynamic Catholic and Oregon Catholic Press. Her recordings have appeared in the Top 10 on the Billboard Classical charts.

Beckel Thoreson has been fortunate to work with such illustrious conductors, directors, coaches, and teachers as Arthur Fagen, Monica Huggett, Craig Jessop, Raymond Leppard, George Manahan, Kevin Noe, Robert Porco, Michael Ehrman, Candace Evans, Carol Vaness, Gary Arvin, Kevin Murphy, Timothy Noble, Patricia Wise, Paul Kiesgen, David Jones, and Dr. Julia Nielsen.

Beckel Thoreson is a Performer Diploma candidate at the Jacobs School of Music at Indiana University, where she received her Master of Music in Voice, studying under Distinguished Professor Timothy Noble. She completed her Bachelor of Music in Voice at Central Washington University, as a student of Diane Thueson Reich. 

A graduate of Central Washington University and Indiana University’s prestigious Jacobs School of Music, Beckel Thoreson was a member of the voice faculty at the University of Portland for four years, and now holds a faculty position at Clark College in her hometown of Vancouver, WA, where she also maintains a private voice studio. Beckel Thoreson is an enthusiastic member of both NATS (the National Association of Teachers of Singing) and MTNA (Music Teachers National Association), and is a frequent clinician and adjudicator for choral programs, festivals, and vocal competitions throughout the Northwest. She is also a proud member of AGMA (the American Guild of Musical Artists).